| Date |
Thesis title (final) |
| 2025 |
|
| 2024 |
The politics of corporate annual report design in Britain, 1979–2000 |
| 2024 |
Book layout and design in unconventional printed novels: materiality and reading in the digital era |
| 2024 |
The application of an information design approach to the development of a user-oriented digital local food map for Berkshire, Oxfordshire, and Hampshire |
| 2024 |
Evolution of Chinese typeforms up to the early 20th century |
| 2024 |
|
| 2023 |
Design, production and circulation of artists’ publications in the 1960s and 1970s: a comparison of Beau Geste Press and Seth Siegelaub |
| 2023 |
|
| 2023 |
|
| 2022 |
|
| 2022 |
|
| 2022 |
|
| 2022 |
|
| 2021 |
|
| 2021 |
|
| 2021 |
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| 2021 |
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| 2021 |
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| 2020 |
|
| 2020 |
Communications for flood awareness: using information design to support people in the uptake of preparedness actions |
| 2020 |
|
| 2020 |
Embodied iteration: materialising the language of writing and performance in women artists' publishing (1968–1977) |
| 2020 |
|
| 2019 |
|
| 2019 |
|
| 2019 |
Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches |
| 2019 |
A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on screen
|
| 2019 |
|
| 2019 |
Democratizing knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892 |
| 2018 |
|
| 2018 |
|
| 2018 |
The Latin alphabet reform in Turkey |
| 2018 |
|
| 2017 |
|
| 2016 |
|
| 2016 |
Monotype and Eric Gill: a study of the design and production of Gill's hot-metal typefaces |
| 2015 |
|
| 2014 |
The "modern face" in France and Great Britain, 1781-1825: typography as an ideal of progress |
2014
|
International cross-currents in typeface design: France, Britain and the USA in the phototypesetting era |
| 2014 |
ÌÇÐÄÊÓƵ and the morphology of the page: a historical study of the typographic design of the Greek alphabet book, 1771-1919 |
| 2013 |
|
| 2013 |
Edward Wright (1912-1988) artist, designer, teacher with Descriptive catalogue of works (1937-1988) |
| 2012 |
|
| 2012 |
A definition of the principles of Isotype and an investigation into their methods of diffusion and legacy |
| 2011 |
Design is Ordinary: Lay Graphic Communication and Its Relation to Professional Graphic Design Practice |
| 2010 |
Using visual explanations of complex verbal concepts to aid dyslexic children in literacy acquisition |
| 2009 |
Tibetan typeforms: an historical and visual analysis of Tibetan typefaces from their inception in 1738 up to 2009 |
| 2008 |
The Fifteenth-Century Printing Practices of Johann Zainer, ULM 1473-1478 |
| 2008 |
Visual genre conventions and user performance on the web |
| 2008 |
A framework for graphic description in book design |
| 2008 |
Towards the optimization of software instructional demonstrations |
| 2008 |
Typography in traditional poetry: Methods of segmentation in narrative poems and sonnets |
| 2008 |
Information books for children: Their visual anatomy and evolution (1860-2005) |
| 2007 |
E. McKnight Kauffer: poster artist. An investigation into poster design and production during the inter-war period using E. McKnight Kauffer's oeuvre as an example |
| 2007 |
Secret and Confidential: Some Aspects of Oxford University Press and its Activities in the Second World War |
| 2006 |
English little presses, book design and production. A study of five London publishers, 1945-1979 |
| 2006 |
Effects of the typographic layout of reading examination materials on performance |
| 2005 |
Frederick Gye and Giles Balne: A Study of the firms Gye & Balne (1805-1829) and Balne (1829-1938) with particular reference to their colour printing |
| 2005 |
Usability for Learning. A Socio-Cultural Approach to Usability of VLEs |
| 2005 |
The life and work of Beatrice Warde |
| 2005 |
The arrangement of links in government websites |
| 2005 |
Sebastiao Rodrigues and the development of modern graphic design in Portugal |
| 2005 |
Designing appropriate icons for Taiwanese computer users |
| 2004 |
The development of special characters in Slavonic languages with the emphasis on the orthographic reforms in Slovenian and Croatian language |
| 2003 |
Typography & graphic design in Spain |
| 2002 |
Images of peace in Britain from the late nineteenth century to the Second World War |
| 2002 |
Understanding readers' navigation in www documents |
| 2002 |
Otl Aicher: design as a method of action |
| 2001 |
Thomas Way & T.R. Way |
| 2001 |
Informing young people: What motivates young people to read community education resources |
| 2001 |
Tabulation, grouping and separation techniques in the presentation of printed accounts and financial statements during the time of letterpress |
| 1999 |
The Kynoch Press 1876-1981 |
| 1999 |
Knowledge construction in typography: the case of legibility research and the legibility of sans serif typefaces |
| 1999 |
Milestones in lithographed cartography from 1800 |
| 1998 |
Towards a methodology for studying commonalities in the drawing process of young children |
| 1998 |
An analytical approach to procedural pictorial sequences |
| 1997 |
Casting the Greek newspaper |
| 1996 |
Compound-plate printing: the impact of a style |
| 1995 |
Paul Renner and German typography, 1900-1950 |
| 1995 |
Publishers and purchasers of the photographically-illustrated book in the nineteenth century |
| 1994 |
The Illustrated Wittgenstein: a study of the diagrams in Wittgenstein's published works |
| 1994 |
The Linotype in the United Kingdom 1889-1912 |
| 1993 |
O Gráfico Amador: The roots of modern Brazilian typography |
| 1993 |
The graphic language of vernacular literacy primers in West Africa |
| 1993 |
An investigation into the suitability of the graphic presentation of patient package inserts |
| 1991 |
Photography and printmaking 1840-1860 |
| 1991 |
The translation of the Anglican book of Common Prayer |
| 1990 |
Semiotics and design: from gothic revival to avant-garde |
| 1990 |
The graphic translation of text |
| 1990 |
The contribution of the firm of Boulton & Watt to engineering drawing |
| 1989 |
Graphic communication in development programmes: models for communicators |
| 1989 |
H.N.H. The work of Henry Noel Humphrey |
| 1988 |
Greek printing types in Britain from the late eighteenth to the early twentieth century |
| 1988 |
Joins in children's handwriting and the effects of different models and teaching methods |
| 1987 |
The typographic contribution to language. Towards a model of typographic genres and their underlying structures |
| 1985 |
English printers 1600-1700 and their supra-text roman and italic types |
| 1983 |
Descriptive techniques for studying verbal graphic language |
| 1981 |
Colour lithography in England during the nineteenth century |
| 1979 |
Otto Neurath's contribution to visual communication (1925-45) |
| 1972 |
An investigation into some aspects of the use of colour in illustrations designed for the primary school child |
| 1966 |
Lithography 1800-1850: a study of the techniques of drawing on stone in England and France, and their application in works of typography |
| 1965 |
Experimental graphic processes in England, 1800-1859 |